The November edition of Vogue Australia featuring artists of The Australian Ballet.
Photo by Will Davidson.
Ekaterina Kondaurova in the Firebird.
Photo by Valeria Komissarova.
Het Nationale Ballet Alexei Ratmansky’s Don Quichot Photo by Angela Sterling
Whitney Huell took a chance on college before starting her career. Photo by Jesse Coss.
For many ballet dancers, the road to joining a company seems straightforward: Start out at a local studio, transfer to a prestigious company academy, secure an apprenticeship and transition to corps member. But the truth is you can create your own unique road map to a fulfilling career—and possibly find something better than you’d planned.
This picture is just so perfect.
Maxim Beloserkovsky and Irina Dvorovenko in The Merry Widow.
Photo (c) Gene Schiavone.
Maria Baranova as Giselle at the Helsinki International Ballet Competition 2012.Photo by Sakari Viika
Jurgita Dronina in The Sleeping Beauty.
Photo by Angela Sterling.
Amber Scott and Adam Bull in rehearsal for Onegin.
Photo © Lynette Wills.
Xander Parish Rehearsal for Stars of Russian Ballet Gala Photo (c) Gene Schiavone
Ethan Stiefel in Le Corsaire.Photo (c) Hidemi Seto.
Cristina Mirigliano in Don Quixote.
Photo by Corrado Maria Falsini.
Etudes. Olesia Novikova, by Gene Schiavone.
Leonid Sarafanov and Ekaterina Borchenko in Le Corsaire.
Photo (c) Stas Levshin.
Irina Perren and Marat Shemiunov in rehearsal for Spring Waters.
Photo by Nikolay Krusser.
via:thedailyballet.tumblr
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